Research paper presented as part of the hybrid event, Picasso and Musical Modernity, hosted by Parador de Mojácar, Almeria / University of Melbourne, in which I will discuss issues of intermediality and intertextuality, taking Gary Carpenter’s After Braque (2001) as a central case study.
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Earlier Event: June 9
Message without a Code | Stephanie Lamprea & Richard Craig
Later Event: October 12
Lights of London - Premiere